The difficult thing in talking about and analyzing what makes Minecraft's multiplayer so great is that there is no definitive multiplayer experience. Some people use it to work together and create impossibly detailed and beautiful creations, while others create game within a game scenarios to compete in, and some still are perfectly satisfied with running around and killing each other. Like just about every other aspect of the game then, the experience here isn't one pre-determined by the developers, but rather one that is uniquely yours based on who you are, whom you play with, and the extent of your combined imaginations.

The are two reasons getting this right is important, and both reasons are the same but viewed from different perspectives- Minecraft is still the biggest game in the world. The official VR mode is exclusive to the Rift, so you can bet that Microsoft/Mojang and Oculus worked together to make sure the experience is as inviting as possible. Getting this right is a major deal for both companies. This ties in to the other perspective, which is consumer-side. For a lot of people Minecraft will be a premier game for VR, and how many Wood types in minecraft accessible it is will become the baseline expectation of the experience. Make it nice and maybe it becomes the VR gateway drug, and at the moment the experience is acceptable. The default starting view may be the same Minecraft as always on an in-game screen, and Classic Control has high nausea potential, but the jerky VR Control is the kind of thing you learn to tolerate simply because it's effective.

Clocking in at roughly two hours, this episode is one of the longer Telltale episodes right behind the first episode of Tales from the Borderlands. Even though it’s generally long for an episode, it doesn’t mean that time was wasted. With every passing second, new lore is learned about this rendition of the Minecraft world and how characters perceive the strange world around them. Who knew that people were pretty used to the idea of killing a dragon from another dimension and hosting a convention in honor of the heroes who slew it?

The big purpose of this episode is to find Ivor's lair out in The Far Lands to find an enchantment book that has the power to destroy the command block that is still lingering inside of the Witherstorm. In a scene with both Soren and Ivor, Jessie discovers that the storm is following the amulet that Gabriel had given him and with that, Axel takes it upon himself to hold onto the amulet while Jessie retrieves the enchantment book. The group collectively agrees that Axel and another member of the Order of the Stone will return to Soren's lair where the Enderman that Soren has collected can help in disassembling the Witherstorm as they had all witnessed them do in an earlier scene. While they are doing that, the plan is to then forge a weapon and fuse the enchantment book with it but in Jessie's fight to do so, he is separated from Ivor who is helping everyone escape from a few lingering witches. Alone and lost, it is up to Jessie and his friends to pass through to Ivor's lair, which happens to be riddled with booby traps and mazes, and return in time to defeat the storm.

Let me begin by saying that this episode is particularly short, like a little over an hour short. I guess that's what happens when the first two episodes are only separated by a few weeks, but the fact that to get the entire experience you have to play through it twice sort of pans out well because it then makes the episode about two hours long. Still, a much longer playthrough for the sequel was expected considering the complication of the events taking place. That being said, the episode covers the areas following either Elligaard or Magnus and each path allows you to follow and understand more of the world of Minecraft. There are a few inconsistencies that don't make sense and some new events that don't necessarily pertain to Jessie or his/her friends, but that doesn't label the episode as terrible. By inconsistencies, I mean there were points in the game where I thought, "why can't they just do this/that in order to progress?" One moment that comes to mind is when a character falls into a hole and can't seem to get out when they could have built their way out as they were able to in the first episode. The rest of the episode is littered with little things like that that make you scratch your head and ask those questions.

The lack of plot means the action needs to carry the game, which Minecraft Dungeons nicely pulls off. It's a fairly stripped-down entry in the genre, with no character classes or specializations, but instead focuses on character customization through loot. At the start you choose a character skin, none of which have any advantage or disadvantage over another, and then through the course of the adventure find gear to fit your play style. There are six slots to fill, three of which are for action accessories assigned to the controller face buttons and the others being the equipment of weapon, armor and ranged, and while it's tempting to go for straight power over anything else, it's better to find things that suit your play style.