It takes a while to build up a full arsenal, especially due to how many gems are required to level up equipment skills, but once you've got a foothold the game opens up into a fun combat romp. Minecraft Dungeons is designed with younger players in mind, so on standard difficulty it's too easy for any kind of seasoned player, but after a few levels you can crank it up to the hardest and eventually get a decent challenge that can actually run the risk of killing you. Enemies attack in large numbers, whether they be familiar Minecraft creatures like zombies, spiders and skeleton-archers or newer threats such as the corrupted Illagers (like villagers but ill) or zombie-summoning sorcerers. Combat is initially a simple matter of holding down the attack button and letting the combo animation play out, broken up occasionally by needing to shoot archers that don't want to hang out in melee range. The final levels do a nice job of putting all your abilities to the test, though, requiring regular use of magic, support pets, keeping an eye out for traps in the environment and giving the bow a good workout.

Ellegard (for me) and Gabriel begin conversing in hopes that he would regain his memory and in doing so, mentions something about Lukas' jacket, saying that he has seen others wearing it inside of the Witherstorm. With this comes Jessie's first big decision, either allowing Lukas to leave in hopes of finding his friends or make him stay to help in your fight. This is only the first of many heartrending decisions that need to be made throughout the entirety of this episode. While most of these decisions are among the toughest in any of the episodes, they help dictate how the game will end and who will be standing next to Jessie when it does. This episode lets you customize your decisions a little bit more, allowing you to decide which weapon you want to create for the final battle, which armor you would like to wear, and even in what manner you will enter the Witherstorm. It isn't much, but that's far more customization than most Telltale games allow. While it is important to be careful with your decisions, it's more important to learn who your real allies are and dictate how you want your destiny to unfold in your fight towards saving this blocky humanity.

The lore also does not seem to be empty at all. In some games, you walk away feeling like you could have lived your whole life not needing to know anything about what just happened. This game, and specifically this episode, doesn't feel that way and makes sure to utilize all the time in the episode to prove that. Nothing goes unnoticed and everything is important whether it be information that pertains to this game specifically or the base game. Battles are not too long-winded and conversations don't make you want to skip them. Everything feels as though they are timed just right and you almost forget that you are sitting in front of your television for so long. You don't really think about what could have happened if you did or said something differently and only look forward to seeing what comes of the decision you've just made, which is odd for a game that is meant to be replayed in order to make different decisions. Besides, there are some things that you wouldn't want to see happen again and are better off just forgetting all of the decisions that you didn't make.

The lack of plot means the action needs to carry the game, which Minecraft Dungeons nicely pulls off. It's a fairly stripped-down entry in the genre, with no character classes or specializations, but instead focuses on character customization through loot. At the start you choose a character skin, none of which have any advantage or disadvantage over another, and then through the course of the adventure find gear to fit your play style. There are six slots to fill, three of which are for action accessories assigned to the controller face buttons and the others being the equipment of weapon, armor and ranged, and while it's tempting to go for straight power over anything else, it's better to find things that suit your play style.

The other type of item is accessory and each one grants a different skill. The feather, for example, does a quick roll that stuns an enemy, while the soul cube lets out a powerful arcane jet of energy blasting through everything in its path. A bundle of wheat summons an attack-llama, there are healing pendants, berzerk mushrooms, magic shields and plenty more to turn up. These let you create a personalized loadout of three skills, defining character class by what you choose to carry. The more powerful accessories are powered by souls, which are released and automatically gathered as you take out monsters, but it doesn't take many to fill the bar. The skills are there to be used rather than hoarded.

No game has done what Minecraft has done. No game even remotely associated with the "sandbox" element has realized that truest sense of childlike wonder and exploration that Notch and his friends at mojang snapshot feedback have achieved. They’ve changed how you can approach the fundamental necessities of a game, while fueling a sense of personal freedom that no game has ever reached. It’s clear that Minecraft is a commercial success and a cultural milestone, but if as gamers you look into what Minecraft is and what it does, you realize that it’s not just about goofy blocks of sands, hissing Creepers or that square sun rising over the horizon. Minecraft is a landmark title in games as a whole; it does things that no game before it has achieved, at least not at this level. Making a game a work of art isn’t about flowering up the graphics or enlisting big-name voice talent; it’s about using what you can only do in a game and making something fresh and new. It’s about taking these distinctive qualities of the gaming medium and breaking free of convention. Minecraft does all that. In spades. If we’re to show the world that games can do amazing things, things that film or TV can never hope to ever achieve, Notch’s indie-game-that-could is our best weapon. Plainly and simply, Minecraft is a work of art.