As far as Fable games are concerned, Fable 3 has always been a bit of an ugly duckling. On one hand, it’s difficult to follow in the footsteps of a game as universally beloved as Fable 2. On the other, it’s especially brave to look at those footsteps stretched out in front of you and say, "Actually… I reckon I’ll walk the long way home."

Honestly, I called Fable 3 shite after I finished it at 14, despite voluntarily pumping about 50 hours into it. "This is so bad, I’m going to keep playing it. I hate this game, no I can’t go to bed yet." I think there was always something drawing me to it, no matter how much I tried to dislike it for not picking up from directly where Fable 2 left off and featuring all of the exact same characters. And now, ten years later — I just wish more people talked about it, because I still think people have yet to fully appreciate how genuinely ambitious it all was.

There are a bunch of fairy tales to be found inside of the Land of a Thousand Fables, including Little Red Riding Hood and Thumbelina, among others. This is especially strange, and fans wonder why this is the case since the Land of a Thousand Fables is such a small sp

Let’s also remember that Fable 3’s dog companion extends far beyond the contemporary "Can you pet the dog?" phenomenon that seems to have been adopted as a marketing tactic for new and upcoming games. In Fable 3 you can teach your dog tricks, and 30 seconds later it will rip an enemy’s throat out. This disparity is par for the course for Fable 3, which is a game that seems to have amassed every existing genre into its massively hodgepodge makeup. Fable 3 is The Sims. Fable 3 is Dishonored. Fable 3 is Grand Theft Auto. You can use your magical affinity to protect innocent people from hordes of vindictive monsters, or you can pump the rent prices in Aurora up so high that people can’t even afford to buy vegetables in the worst place on earth. You can marry someone, absorb their assets, and then file for immediate divorce. They won’t be happy about it, and the game’s morality system will have its due impact on you — but you can do it. It’s a life simulator, a fantasy RPG, a tycoon management game, a rom-com, and every single thing in between. Sometimes it’s too much — how do you even begin to reconcile all of that in a coherent way? But most of the time it’s actually genuinely smart. It’s just not Fable 2, and people — including 14-year-old me — hated that.

One of the biggest new features that Fable should look at incorporating is a complete overhaul of the series' morality system. Morality plays a massive role in Fable games, and it has evolved quite a lot over the course of three games. Fable should look at deepening the morality system and making it feel much more modern and reactive to the player's actions. A system similar to the Warner Brothers' Nemesis System , something that has in-game characters/villain react to choices, would be a great way to do this while also making the player feel as though they have a greater impact on Albion. Having an evil character lead to more good heroes rising up to fight them or a good character leading to more powerful and crazier evil characters would add a lot to Fable 's replayability while making every person's save also unique and more perso

That’s the thing — I love the Fable dog, and I love the art. I love the devil horns and the tricksy little gnomes. But I don’t think Fable 2 was like Fable, so I’m not sure why so many people were annoyed about Fable 3 not being Fable 2: Again. That’s why I was annoyed, as well as pretty much anybody I asked about it. But in hindsight, it makes very little sense to me — I would hope that the new Fable game in development isn’t just a rehash of Fable 2. I’d hope that it takes a lot of its lessons — for better and for worse — from Fable 3.

Combining the greatest detectives in two different worlds is an exciting promise of its own, with Batman vs. Bigby! A Wolf in Gotham #1 releasing in September under DC Black Label. But since word of the confirmation first dropped, fans have had one question: is this return of Fables one last Adventure game DLC... or a sign that creator Bill Willingham is bringing the series back for good? To find out what this return means for both the creators and the readers, Screen Rant was fortunate enough to speak with Willingham directly. Readers can enjoy his insights into delivering the detective story he dared dream might be possible, picking up the Fables series with original artist Mark Buckingham, and what this new 12-issue story means for the future of Fables in our full interview be

However, player expectations have changed significantly from when Fable 3 released. If Fable wants to attract new players to the series, which it surely does, it will also have to make sure it looks modern enough to be worth their time to check out. Even Fable fans will want it to feel like a jump into the future for the series as nobody will want to buy a brand new game that feels like it should have released over a decade ago. To do this, Fable will definitely have to find a balance of updating the game's older systems, like the iconic Fable morality system , while introducing some new elements to bring it into the modern