I loved seeing three or four gold medals pop up at the end of a particularly good match. It was the perfect cap on a great experience. Sometimes when my team played well, we’d sit on the medal screen for a minute or two talking about the high points of the match and bragging about our medals. I took a screenshot of my last Overwatch game before the servers shut down where I earned three gold medals and three career bests. In Overwatch 2, matches just sort of end. There’s no fanfare, no time to reflect on how well you did. You can’t even see the scoreboard anymore once the game is over. I’m glad we have a real scoreboard, but we didn’t have to give up the medal completely, did

Overwatch 2 gives a fresh start for veterans and opens the door for newcomers who never hopped on Blizzard's hero shooter. Say goodbye to loot boxes, and hello, to reworked characters and new content. While many people are starting for their first time, there is a lot to learn that is unique to the seq

I don’t care for online shooters in general; I’m much happier with a good offline story game most of the time. That’s a big reason why my Overwatch numbers are so low - I’m busy playing through a gripping narrative rather than getting better at playing as D.Va or

Overwatch skins are nothing more than costumes to dress your favourite characters up in, so it seems silly for someone like me, who only plays rarely and not even as Soldier 76, to care about them so much. But it’s not really about whether the skins look good, whether I’d want them, and whether they’re better or worse than other sets. It’s that Blizzard had the opportunity to embrace the queer culture behind Soldier 76 and Tracer, a culture the company is happy to cater to in only the most minor of ways, and instead ducked it. A skin that was unabashedly queer was an opportunity to reinforce the diversity Blizzard often talks about, but Overwatch deliberately let the opportunity pass

Meanwhile, he’ll see Tracer on the other side of the war, since she’s a Redcoat Cavalrywoman with twin Revolutionary-era revolvers in her hip holsters. I understand the logic behind this; lots of the other characters delve into their national cultural heritage too. Widowmaker is a Mousquetaire, Zarya a Polyanitsa warrior, Genji a samurai, and Lucio a Conquistador. But for a long time, the excuse held up in defence of Tracer and Soldier 76’s queerness only featuring off-screen is that Overwatch simply isn’t the type of game that allows for anything more. Well, the Archives skins do. There is so much cultural history in their queerness, in Stonewall and the earliest Pride protests, in the punk movement, in art, and through cultural trailblazers that speak to the heart of who Soldier 76 is far more than just putting him in a different soldier outfit from a few centuries

Typically, when games try and tell their in-game story outside of the game, it’s because the narrative is a bit naff. I don’t mean stuff like the Life is Strange or Tomb Raider comics, which both expand upon an existing story, I mean the likes of Outriders’ recent short there to give backstory and establish the lore of the game. Maybe just... do that in the game? But again, Overwatch is an exception to the rule. Overwatch’s character reveals feel like you’re reading a secret diary, it’s like you’re being let in on something special, not having a crumpled up piece of paper with the word ‘BaCkStOrY’ written on it in crayon - this, by the way, is exactly what watching that Outriders short felt l

Moira is similar to Ana in that I imagine she'd be a very solutions-driven kind of friend. She's probably not here for you crying in the bathroom and would be more interested in compiling a six-step plan to get you back on track, but I think she'd be far more willing to tolerate that one of those steps might have to be ‘sob in the bathroom for a little while’. She's the sort of friend who might put up a bit of a front, but goes out of her way to help you in secret ways. She needs to keep up her mystique, but she won't let a friend get hurt. We all need a Moira in our cor

These days, I’m lucky enough to work in games, and that means even if I don’t get a game code, I know that I’ll be able to write about a game and make money off it. In 2016 when Overwatch 2 DLC|https://Overwatch2fans.com/ released, that wasn’t the case. I’d buy new games, beat them, then flip them at a second hand shop and use that money to buy another game, and so on. That’s a big part of why single player games, with a definitive ending, matter so much to me. The Witcher, The Last of Us, Horizon, Grand Theft Auto 4, Red Dead Redemption 2, and every FIFA from 09 to 19 all entered my life that way. Countless others, too. Despite this, I still have my old Overwatch disc, gathering dust on my shelf as it dwindles in value and my play time trickles up by a few measly minutes every six months or so. There’s just something very compelling about Overwatch’s existence that never quite translates to its gamep